future histories: burning man 2007

Burning Man 2007 was fantastical cosmic dream. Described in three words: another world experience. This years theme, the Green Man asked us to think about our relationship to nature, and then proceeded to bring us a lunar eclipse, a meteor shower and a full on double rainbow which emerged after a severe desert sand storm. Was the weather trying to answer this questions for us? Was it trying to tell us that this complex relationship is evolving before our senses and that just like any relationship, it is reciprocal and it needs us more than ever?



I went there for a number of reasons.. some personal some professional. the latter was meant to be an investigation into people’s attitudes towards the mainstreaming and marketing of social responsibility and sustainability, both in Black Rock City and the everyday. My questions were quickly answered on the Monday night when Paul Addis preemptively burned down the man in the name of shaking things up Gonzo style. I decided from then on to simply immerse myself in the present and enjoy the culture of Black Rock City for exactly what it is. I was blown away by all of the incredible art work, burners had clearly spent much time and energy on this event. Back home, I found an article in business magazine talking about rising corporate involvement (page 66) at Burning Man. Others liken it to an inevitable disneyfication of the event. Nevada's next tourist destination. But my favourites are still the trustafarian peacocks. They pretty much rule.

Let me get this out.. . the most disappointing fact of the whole event was the poor design of the events calendar. Called the What Where When guide it was more like the What guide making it nearly impossible to locate any of the wonderful workshops being hosted on the playa for even the most skilled cartographer. Being the optimist that I am.. a combination of a 'word of mouth', 'keep it local' and the situationists 'drifter' approach to city life helped me get over this sad sad piece of design. I have decided to save the calendars for next level arts n crafts inspiration ( :


I did attend a the 4th Annual Black Rock City Gathering of the Tribes held on the day of the burn, and facilitated by my friend Sobey. The central theme looked at how we can collectively take the Green Man consciousness into the future. After a round of introductions and words by west coast movers and shakers we broke off into groups to explore this idea of our future histories. The concept is this: suggest topics on which to build the story of our future in the past tense as if telling it to our children. Topics that emerged were social networks and media, forestry, food security and toxicity, community rituals, education, safe healing spaces, gender issues, and space travel. I joined the space group which ended up getting paired with the forestry group. We all immediately agreed that this made sense. Forests in space? Why not. Here we go. Wasn’t it a grand day when we leapt up into space from BRC bringing with us infinite energy and a perfectly contained and thriving ecosystem, Ahhh voyeurism of epic proportions bringing new perspectives and notions of regeneration. I made quite a few strong connections there mostly with people from LA, and fully intend on following up with them. I would be incredibly foolish not to. General feeling is a huge push for permaculture and guilds in a very forward thinking, technically innovative and highly sustainable ways.



All week as I cycled around the playa, I kept thinking Bucky Fuller would have been proud of us seeing all of the geodesic structures out there in the temporary autonomous city, protecting us from the harsh desert elements. I was stoked to help assemble a few of them... 3 different sized steel rods that come together in 5s or 6s which form triangles which in the end forms a perfect dome. The question of bottom up or top down construction is a pertinent one and depends on the number of people there to help.

The Crude Awakening was probably the most epic art installation of the festival. A 4 story wooden reconstruction of an oil derrick with giant welded human figures worshiping the structure that saw a steady flow of curious citizens slowly climbing the stairs to take in a view of the city and desert from above. Immediately after the burning of the man, BRC experienced the largest pyrotechnic show in human history with tales of 900 gallons of jet fuel donated by NASA, 2000 gallons of propane at hand, and the full moon over head. A social sculpture emerged to simultaneously represent utopia and apocalypse and to allow us to rethink our dependence on fossil fuels in this 21st century. The next day I visited the ashes and embers, and the whole piece came together for me when I saw a crane attempting to plant a single red cedar in place of the derrick. WIRED's blog the Underwire writes about it and what follows is a conversation on the ironic or somewhat contradictory nature of this installation. Read it and decide for yourself.

Since returning to Vancouver.. besides coughing all the playa dust out of my lungs, I've been able to research the festival.. its history, politics, culture, the polemic views from both those who were present and not yet present. To me Burning Man was a chance for to redefine the paradigm, to expand and strengthen my ideas on what is and isn't possible. to experience first hand what it feels like to create something from nothing but time and energy. . to grow our tribes. It is where cultural producers and creators take responsibility for redesigning all facets of everyday life. It is a cultural vehicle for radical self reliance and expression which I fully intend to ride again.



Woot woot!